The original English Hymnal includes the hymn set to Horbury, while its replacement New English Hymnal drops the hymn. Liverpool also features in the BBC Hymn Book of 1951 and the Baptist Hymn Book of 1962 (with Propior Deo). Songs of Praise includes Horbury, "Rothwell" (Geoffrey Shaw) and "Liverpool" (John Roberts/Ieuan Gwyllt, 1822–1877). The Methodist Hymn Book of 1933 includes Horbury and two other tunes, "Nearer To Thee" (American) and "Nearer, My God, To Thee" (T C Gregory, 1901–?), while its successor Hymns and Psalms of 1983 uses Horbury and "Wilmington" by Erik Routley. Mason's tune has also penetrated the British repertoire. Sullivan wrote a second setting of the hymn to a tune referred to as "St. British Methodists prefer the tune "Propior Deo" (Nearer to God), written by Arthur Sullivan (of Gilbert and Sullivan) in 1872. In the rest of the world, the hymn is usually sung to the 1856 tune "Bethany" by Lowell Mason. In the United Kingdom, the hymn is usually associated with the 1861 hymn tune "Horbury" by John Bacchus Dykes, named for a village near Wakefield, England, where Dykes had found "peace and comfort". It was first set to music by Adams's sister, the composer Eliza Flower, for William Johnson Fox's collection Hymns and Anthems. The verse was written by the English poet and Unitarian hymn writer Sarah Flower Adams (1805–48) at her home in Sunnybank, Loughton, Essex, England, in 1841. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven and there the angels of God were ascending and descending on it." And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Genesis 28:11–12 can be translated as follows: "So he came to a certain place and stayed there all night, because the sun had set. "Nearer, My God, to Thee" is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces it was Mozart himself who titled the rondo "Alla Turca". A typical performance of this entire sonata takes about 20 minutes. 332).Īndante grazioso – a theme with six variationsĪll of the movements are in the key of A major or A minor therefore, the work is homotonal.
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The sonata was published by Artaria in 1784, alongside Nos. It is uncertain where and when Mozart composed the sonata however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements.